early morning flight
en route to Park City for
Sundance yet again
HAIKU
early morning flight
en route to Park City for
Sundance yet again
SALMAGUNDI
Most awesome music video ever.
Audiolizing the medalists' leads.
Reduce salt? Who the hell knows.
Williamsurg: reality vs. real estate listing.
Calvin & Hobbes snow art. [Via]
Tips for the iPhone Dragon Dictation app.
Disney's Jewish American Princess.
The biggest disappointments of the '00s.
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My friend James Ponsoldt once said to me that the measure of a successful film is whether it becomes somebody's favorite. Which, I still think, is a great perspective.
But if there's no special achievement in creating a 'safe' film, something unremarkable yet commercial that plays it straight down the middle, is there some magic at the opposite end of the spectrum? Consider, for example, Tommy Wiseau's The Room, a film that's garnered a cult following by dint of being really, terribly, amazingly awful.
If that bottom-of-the-barrel status holds some merit, then kudos to Baby on Board, a film I haven't seen, but that's garnered perhaps my favorite review on all of IMDB:
I WAS AN EXTRA IN THE MOVIE AND I WENT TO THE CHICAGO PREMIERE LAST NIGHT. I HAVE A DEEP SENSE OF SORROW FOR EVERY PERSON THAT WAS INVOLVED IN THAT PROJECT. THOSE CLAPPING AT THE END OF THE FILM ARE EITHER SUFFERING FROM SELF-DELUSION OR SELF-DENIAL. SURELY ANYONE TRYING TO ENTER THE FILM BUSINESS CAREER TOOK A STEP BACKWARD. NOT SIMPLY BECAUSE THEY WERE INVOLVED IN CREATING BABY ON BOARD, BUT BECAUSE THEY VIEWED IT IN ITS ENTIRETY. I LIVE IN CHICAGO. I AM ASHAMED THAT MY FAIR CITY WAS RAPED BY THESE "FILMMAKERS". MY DOG ATE A ROLL OF FILM THE OTHER DAY AND THE CELLULOID THAT CRAWLED OUT OF HIS ASS WAS PRETTIER THAN THE *beep* YOU'D SEE ON THE SCREEN IN BABY ON BOARD. SO MY DOG'S INTESETINES IS A BETTER CINEMATOGRAPHER THAN WHATEVER MOFO SHOT THIS P.O.S. IF SOMEONE TOLD ME IT WAS SHOT ON A HANHAH MONTANA CAMERAPHONE I'D SAY "YOU'RE RIGHT, MAN."